Track 11: Respect That You Earn Feat. Ne-Yo & Wale (Prod. “She open her legs up happily / I ball hard like a athlete.” That’s what I’m talkin’ about when I call Yo Gotti’s bars generic. T.I.’s bars were way better than Yo Gotti’s generic shit. He definitely stole the show from Yo Gotti. He ain’t sayin’ shit, but he doin’ a good job of flowin’ over the beat. It’s way better than the last few tracks tho. He’s trying to show emotion in this song, but it just comes off as corny. He talks about how he’s fuckin’ a bunch of hoes in the beginning of his first verse, but then talks about being hurt when he sees pictures of other guys in his girl’s phone. I guess this is an attempt at being deep again. Meek Mill had a much better verse than Yo Gotti, but it still wasn’t very good. It’s got a lazy ass hook, uninteresting beat, generic ass flow, and offensive and lazy bars from Yo Gotti. Yo gotti decided to throw some autotune on his voice, even though all he ever says with it is “uh.” This shit is boring af. “You ain’t fuckin’ you ain’t suckin’ what you doin’ ho?” The way he speaks to women in this song feels like a slap in the face after seeing that Don’t Come Around video. I can just imagine a house full of white kids fist pumping to this shit with they middle fingers up. This might be one of the most ignorant songs I’ve ever heard.
“I like different type of bitches I’m sorry / I could never be committed and I’m sorry.” He should be sorry for makin’ this song. Sure, the producer’s name threw me off a little, but I didn’t really think it mattered. I thought this woulda been one of the deeper, more introspective songs on the album. Even the beat is nothing special honestly. The only good part of this song is the beat. He sounds like he’s strugglin’ to get his bars out. Rich Homie Quan sounds awful on this shit.
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